I–ii–iii–IV–V in F♯ Major
Pattern: I – ii – iii – IV – V
Chords: F♯ – G♯m – A♯m – B – C♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| ii | G♯m (details) | minor | Supertonic |
| iii | A♯m (details) | minor | Mediant |
| IV | B (details) | major | Subdominant |
| V | C♯ (details) | major | Dominant |
Harmonic Analysis
This progression moves through F♯ (Tonic) → G♯m (Supertonic) → A♯m (Mediant) → B (Subdominant) → C♯ (Dominant).
A stepwise ascending motion through the first five diatonic chords. The rising bass line creates a strong sense of building energy and forward momentum, often used in intros and verses.
Song Examples
- Joy Spring — Clifford Brown
- Solar — Miles Davis