I–V–vi–iii–IV–I–IV–V in D♭ Major
Pattern: I – V – vi – iii – IV – I – IV – V
Chords: D♭ – A♭ – Bbm – Fm – G♭ – D♭ – G♭ – A♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D♭ (details) | major | Tonic |
| V | A♭ (details) | major | Dominant |
| vi | Bbm (details) | minor | Submediant |
| iii | Fm (details) | minor | Mediant |
| IV | G♭ (details) | major | Subdominant |
| I | D♭ (details) | major | Tonic |
| IV | G♭ (details) | major | Subdominant |
| V | A♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through D♭ (Tonic) → A♭ (Dominant) → Bbm (Submediant) → Fm (Mediant) → G♭ (Subdominant) → D♭ (Tonic) → G♭ (Subdominant) → A♭ (Dominant).
Pachelbel's Canon progression is an eight-chord descending pattern originally composed around 1680. Its elegant stepwise bass line creates a sense of inevitability and grace that has made it one of the most borrowed progressions in pop music. From wedding ceremonies to chart-topping hits, this extended cycle continues to captivate listeners.
Song Examples
- Canon in D — Johann Pachelbel
- Basket Case — Green Day
- Memories — Maroon 5