I–V–vi–IV–V in F♯ Major
Pattern: I – V – vi – IV – V
Chords: F♯ – C♯ – D♯m – B – C♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| V | C♯ (details) | major | Dominant |
| vi | D♯m (details) | minor | Submediant |
| IV | B (details) | major | Subdominant |
| V | C♯ (details) | major | Dominant |
Harmonic Analysis
This progression moves through F♯ (Tonic) → C♯ (Dominant) → D♯m (Submediant) → B (Subdominant) → C♯ (Dominant).
A Classical sentence structure that moves through a deceptive resolution before arriving at a half cadence on V. This open-ended phrase creates expectation for a consequent phrase and is common in sonata-form exposition themes.
Song Examples
- Symphony No. 6 (Pastoral) — Ludwig van Beethoven
- Piano Sonata No. 8 (Pathetique) — Ludwig van Beethoven