I–V–vi–IV–V in E♭ Major
Pattern: I – V – vi – IV – V
Chords: E♭ – B♭ – Cm – A♭ – B♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | E♭ (details) | major | Tonic |
| V | B♭ (details) | major | Dominant |
| vi | Cm (details) | minor | Submediant |
| IV | A♭ (details) | major | Subdominant |
| V | B♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through E♭ (Tonic) → B♭ (Dominant) → Cm (Submediant) → A♭ (Subdominant) → B♭ (Dominant).
A Classical sentence structure that moves through a deceptive resolution before arriving at a half cadence on V. This open-ended phrase creates expectation for a consequent phrase and is common in sonata-form exposition themes.
Song Examples
- Symphony No. 6 (Pastoral) — Ludwig van Beethoven
- Piano Sonata No. 8 (Pathetique) — Ludwig van Beethoven