I–V–vi–IV–I–V in F♯ Major
Pattern: I – V – vi – IV – I – V
Chords: F♯ – C♯ – D♯m – B – F♯ – C♯
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| V | C♯ (details) | major | Dominant |
| vi | D♯m (details) | minor | Submediant |
| IV | B (details) | major | Subdominant |
| I | F♯ (details) | major | Tonic |
| V | C♯ (details) | major | Dominant |
Harmonic Analysis
This progression moves through F♯ (Tonic) → C♯ (Dominant) → D♯m (Submediant) → B (Subdominant) → F♯ (Tonic) → C♯ (Dominant).
The I–V–vi–IV–I–V extends the ubiquitous pop progression by adding a resolution and reopening with the dominant. This six-chord cycle creates a longer phrase that breathes and resets, ideal for verse-chorus structures that need more harmonic real estate.
Song Examples
- With or Without You — U2
- Counting Stars — OneRepublic