I–V–vi–IV–I–V in F Major
Pattern: I – V – vi – IV – I – V
Chords: F – C – Dm – B♭ – F – C
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F (details) | major | Tonic |
| V | C (details) | major | Dominant |
| vi | Dm (details) | minor | Submediant |
| IV | B♭ (details) | major | Subdominant |
| I | F (details) | major | Tonic |
| V | C (details) | major | Dominant |
Harmonic Analysis
This progression moves through F (Tonic) → C (Dominant) → Dm (Submediant) → B♭ (Subdominant) → F (Tonic) → C (Dominant).
The I–V–vi–IV–I–V extends the ubiquitous pop progression by adding a resolution and reopening with the dominant. This six-chord cycle creates a longer phrase that breathes and resets, ideal for verse-chorus structures that need more harmonic real estate.
Song Examples
- With or Without You — U2
- Counting Stars — OneRepublic