I–IV–vi–V–iii–vi in F♯ Major
Pattern: I – IV – vi – V – iii – vi
Chords: F♯ – B – D♯m – C♯ – A♯m – D♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| IV | B (details) | major | Subdominant |
| vi | D♯m (details) | minor | Submediant |
| V | C♯ (details) | major | Dominant |
| iii | A♯m (details) | minor | Mediant |
| vi | D♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through F♯ (Tonic) → B (Subdominant) → D♯m (Submediant) → C♯ (Dominant) → A♯m (Mediant) → D♯m (Submediant).
The I–IV–vi–V–iii–vi progression weaves through six chords, creating an extended harmonic journey that delays resolution. The iii–vi tail adds unexpected depth to what begins as a standard pop pattern. This longer cycle keeps listeners engaged through its constantly shifting emotional colors.
Song Examples
- Drops of Jupiter — Train
- Daughters — John Mayer