I–IV–vi–V–iii–vi in F Major
Pattern: I – IV – vi – V – iii – vi
Chords: F – B♭ – Dm – C – Am – Dm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F (details) | major | Tonic |
| IV | B♭ (details) | major | Subdominant |
| vi | Dm (details) | minor | Submediant |
| V | C (details) | major | Dominant |
| iii | Am (details) | minor | Mediant |
| vi | Dm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through F (Tonic) → B♭ (Subdominant) → Dm (Submediant) → C (Dominant) → Am (Mediant) → Dm (Submediant).
The I–IV–vi–V–iii–vi progression weaves through six chords, creating an extended harmonic journey that delays resolution. The iii–vi tail adds unexpected depth to what begins as a standard pop pattern. This longer cycle keeps listeners engaged through its constantly shifting emotional colors.
Song Examples
- Drops of Jupiter — Train
- Daughters — John Mayer