I–IV–vi–V–iii–vi in D Major
Pattern: I – IV – vi – V – iii – vi
Chords: D – G – Bm – A – F♯m – Bm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | D (details) | major | Tonic |
| IV | G (details) | major | Subdominant |
| vi | Bm (details) | minor | Submediant |
| V | A (details) | major | Dominant |
| iii | F♯m (details) | minor | Mediant |
| vi | Bm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through D (Tonic) → G (Subdominant) → Bm (Submediant) → A (Dominant) → F♯m (Mediant) → Bm (Submediant).
The I–IV–vi–V–iii–vi progression weaves through six chords, creating an extended harmonic journey that delays resolution. The iii–vi tail adds unexpected depth to what begins as a standard pop pattern. This longer cycle keeps listeners engaged through its constantly shifting emotional colors.
Song Examples
- Drops of Jupiter — Train
- Daughters — John Mayer