I–IV–ii–V–I
A progression that approaches the dominant cadence via both subdominant chords (IV and ii), creating a strong pre-dominant preparation. This double subdominant approach is characteristic of Classical-period phrase endings.
Pattern: I – IV – ii – V – I
Example in C Major: C – F – Dm – G – C
Choose a Key
Song Examples
- Sonata in A Major, K. 331 — Wolfgang Amadeus Mozart
- Waltz in A-flat Major, Op. 39 No. 15 — Johannes Brahms