I–II–IV–iii in F♯ Major
Pattern: I – II – IV – iii
Chords: F♯ – G♯ – B – A♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | F♯ (details) | major | Tonic |
| II | G♯ (details) | major | Supertonic |
| IV | B (details) | major | Subdominant |
| iii | A♯m (details) | minor | Mediant |
Harmonic Analysis
This progression moves through F♯ (Tonic) → G♯ (Supertonic) → B (Subdominant) → A♯m (Mediant).
A progression that introduces a major II chord borrowed from the Lydian mode, giving the harmony a bright, lifted quality. The resolution to IV and then iii provides an unexpected but satisfying melodic path.
Song Examples
- Inner Urge — Joe Henderson
- Maiden Voyage — Herbie Hancock