I–II–IV–iii in B♭ Major
Pattern: I – II – IV – iii
Chords: B♭ – C – E♭ – Dm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | B♭ (details) | major | Tonic |
| II | C (details) | major | Supertonic |
| IV | E♭ (details) | major | Subdominant |
| iii | Dm (details) | minor | Mediant |
Harmonic Analysis
This progression moves through B♭ (Tonic) → C (Supertonic) → E♭ (Subdominant) → Dm (Mediant).
A progression that introduces a major II chord borrowed from the Lydian mode, giving the harmony a bright, lifted quality. The resolution to IV and then iii provides an unexpected but satisfying melodic path.
Song Examples
- Inner Urge — Joe Henderson
- Maiden Voyage — Herbie Hancock