Allegro ma non Troppo — Fast, but not too much (116–144 BPM)
Allegro ma non troppo is a nuanced instruction meaning 'fast, but not too much,' asking the performer to hold back slightly from a full allegro. It is one of the most common compound tempo markings, reflecting composers' desire for precision in their tempo intentions. Brahms was particularly fond of this marking, using it to temper his characteristically rich, weighty textures.
Etymology
Italian, 'allegro' (lively) + 'ma non troppo' (but not too much)
BPM Range
Minimum: 116 BPM
Maximum: 144 BPM
Typical: 130 BPM
Resist the urge to push to full allegro speed. The 'ma non troppo' is a deliberate restraint — maintain energy and momentum while keeping the tempo measured and controlled.
Example Pieces
- Symphony No. 1, 1st movement (Un poco sostenuto — Allegro) — Johannes Brahms
- Violin Concerto in D major, 1st movement (Allegro ma non troppo) — Johannes Brahms
- Symphony No. 7, 1st movement (Allegro ma non troppo, un poco maestoso) — Gustav Mahler
- String Quartet No. 1, 1st movement (Allegro ma non troppo) — Béla Bartók
Common Genres
Related Tempo Markings
Frequently Asked Questions
What does allegro ma non troppo mean?
Allegro ma non troppo means 'fast, but not too much.' It indicates a lively tempo that is slightly held back from full allegro speed, typically 116-144 BPM.
How fast is allegro ma non troppo compared to allegro?
Allegro ma non troppo is slightly slower than a standard allegro. It suggests restraint — fast and lively, but with measured control rather than unbridled speed.
Related References
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