ii–V–iii–vi in F♯ Major
Pattern: ii – V – iii – vi
Chords: G♯m – C♯ – A♯m – D♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | G♯m (details) | minor | Supertonic |
| V | C♯ (details) | major | Dominant |
| iii | A♯m (details) | minor | Mediant |
| vi | D♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through G♯m (Supertonic) → C♯ (Dominant) → A♯m (Mediant) → D♯m (Submediant).
Instead of resolving to I, the dominant moves to iii, which then continues the circle of fifths to vi. This back-cycling technique is a hallmark of bebop and post-bop composition.
Song Examples
- Cherokee — Ray Noble
- Confirmation — Charlie Parker