ii–V–I–vi in F♯ Major
Pattern: ii – V – I – vi
Chords: G♯m – C♯ – F♯ – D♯m
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| ii | G♯m (details) | minor | Supertonic |
| V | C♯ (details) | major | Dominant |
| I | F♯ (details) | major | Tonic |
| vi | D♯m (details) | minor | Submediant |
Harmonic Analysis
This progression moves through G♯m (Supertonic) → C♯ (Dominant) → F♯ (Tonic) → D♯m (Submediant).
A reordering of the classic turnaround that begins with the ii–V resolution before cycling back via the vi chord. This creates a seamless loop ideal for repeated choruses and improvisation.
Song Examples
- Rhythm Changes (bridge) — George Gershwin
- Oleo — Sonny Rollins