i–imaj7–i7–iv in E♭ Minor
Pattern: i – imaj7 – i7 – iv
Chords: Ebm – EbmMaj7 – Ebm7 – Abm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| i | Ebm (details) | minor | Tonic |
| imaj7 | EbmMaj7 (details) | minor major seventh | Tonic |
| i7 | Ebm7 (details) | minor seventh | Tonic |
| iv | Abm (details) | minor | Subdominant |
Harmonic Analysis
This progression moves through Ebm (Tonic) → EbmMaj7 (Tonic) → Ebm7 (Tonic) → Abm (Subdominant).
The i–imaj7–i7–iv progression is the classic chromatic line cliché in minor keys. A single voice descends chromatically from the octave through the major seventh and minor seventh while the rest of the chord remains static, creating a hypnotic, cinematic effect. This descending bass line or inner-voice motion is one of the most recognizable sounds in film music and jazz ballads.
Song Examples
- My Funny Valentine — jazz standard
- James Bond Theme — John Barry
- Stairway to Heaven (intro) — Led Zeppelin