V–vi–IV–V in F Major
Pattern: V – vi – IV – V
Chords: C – Dm – B♭ – C
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| V | C (details) | major | Dominant |
| vi | Dm (details) | minor | Submediant |
| IV | B♭ (details) | major | Subdominant |
| V | C (details) | major | Dominant |
Harmonic Analysis
This progression moves through C (Dominant) → Dm (Submediant) → B♭ (Subdominant) → C (Dominant).
A progression that evades the expected tonic resolution by moving to vi, then circles back through IV to re-establish dominant tension. This technique extends phrases in Classical sonata development sections.
Song Examples
- Symphony No. 94 (Surprise) — Joseph Haydn
- Piano Concerto No. 21 — Wolfgang Amadeus Mozart