IVmaj7–iii7–ii7–V7
A stepwise descent from the subdominant through iii and ii before resolving via the dominant seventh. The smooth chromatic inner-voice motion makes this a favorite for ballads and bossa nova arrangements.
Pattern: IVmaj7 – iii7 – ii7 – V7
Example in C Major: Fmaj7 – Em7 – Dm7 – G7
Choose a Key
Song Examples
- Wave — Antonio Carlos Jobim
- How Insensitive — Antonio Carlos Jobim