IVmaj7–iii7–ii7–V7

A stepwise descent from the subdominant through iii and ii before resolving via the dominant seventh. The smooth chromatic inner-voice motion makes this a favorite for ballads and bossa nova arrangements.

Pattern: IVmaj7 – iii7 – ii7 – V7   Example in C Major: Fmaj7 – Em7 – Dm7 – G7

Genre: jazz   Difficulty: intermediate

Choose a Key

Song Examples