IV–V–vi in A♭ Major
Pattern: IV – V – vi
Chords: D♭ – E♭ – Fm
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| IV | D♭ (details) | major | Subdominant |
| V | E♭ (details) | major | Dominant |
| vi | Fm (details) | minor | Submediant |
Harmonic Analysis
This progression moves through D♭ (Subdominant) → E♭ (Dominant) → Fm (Submediant).
A cadential pattern where the dominant resolves deceptively to the submediant instead of the tonic. This progression is frequently used in both Baroque chorales and Classical-period development sections to shift the tonal center.
Song Examples
- Chorale BWV 153.1 — J.S. Bach
- Symphony No. 40 in G minor — Wolfgang Amadeus Mozart