IV–V–vi
A cadential pattern where the dominant resolves deceptively to the submediant instead of the tonic. This progression is frequently used in both Baroque chorales and Classical-period development sections to shift the tonal center.
Pattern: IV – V – vi
Example in C Major: F – G – Am
Choose a Key
Song Examples
- Chorale BWV 153.1 — J.S. Bach
- Symphony No. 40 in G minor — Wolfgang Amadeus Mozart