I–vi–IV–ii
The I–vi–IV–ii progression descends by thirds through alternating major and minor chords, creating a smooth, cascading motion. Each chord shares two common tones with the next, producing seamless voice leading. This elegant pattern appears in jazz ballads and sophisticated pop arrangements.
Pattern: I – vi – IV – ii
Example in C Major: C – Am – F – Dm
Choose a Key
Song Examples
- Georgia on My Mind — Ray Charles
- The Nearness of You — Hoagy Carmichael