I–iii–vi–ii–V–I

A progression combining descending-third motion (I–iii–vi) with circle-of-fifths movement (vi–ii–V–I), creating an elegant and inevitable path back to the tonic. This hybrid sequence appears in Baroque ground bass patterns and Classical development sections.

Pattern: I – iii – vi – ii – V – I   Example in C Major: C – Em – Am – Dm – G – C

Genre: classical   Difficulty: advanced

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