I–iii–vi–ii–V–I
A progression combining descending-third motion (I–iii–vi) with circle-of-fifths movement (vi–ii–V–I), creating an elegant and inevitable path back to the tonic. This hybrid sequence appears in Baroque ground bass patterns and Classical development sections.
Pattern: I – iii – vi – ii – V – I
Example in C Major: C – Em – Am – Dm – G – C
Choose a Key
Song Examples
- Goldberg Variations, BWV 988 — J.S. Bach
- Cello Suite No. 1 in G Major — J.S. Bach