I–ii–iii–IV–V–I in A♭ Major
Pattern: I – ii – iii – IV – V – I
Chords: A♭ – Bbm – Cm – D♭ – E♭ – A♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A♭ (details) | major | Tonic |
| ii | Bbm (details) | minor | Supertonic |
| iii | Cm (details) | minor | Mediant |
| IV | D♭ (details) | major | Subdominant |
| V | E♭ (details) | major | Dominant |
| I | A♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through A♭ (Tonic) → Bbm (Supertonic) → Cm (Mediant) → D♭ (Subdominant) → E♭ (Dominant) → A♭ (Tonic).
The I–ii–iii–IV–V–I progression ascends stepwise through the major scale's diatonic chords before cadencing home. This scalewise motion creates a sense of inevitable, building momentum toward the dominant resolution. It appears in classical themes and sophisticated pop arrangements.
Song Examples
- Pachelbel's Canon (adapted) — Johann Pachelbel
- Mr. Brightside (bridge) — The Killers