I–V–vi–iii–IV–I–IV–V in A♭ Major
Pattern: I – V – vi – iii – IV – I – IV – V
Chords: A♭ – E♭ – Fm – Cm – D♭ – A♭ – D♭ – E♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A♭ (details) | major | Tonic |
| V | E♭ (details) | major | Dominant |
| vi | Fm (details) | minor | Submediant |
| iii | Cm (details) | minor | Mediant |
| IV | D♭ (details) | major | Subdominant |
| I | A♭ (details) | major | Tonic |
| IV | D♭ (details) | major | Subdominant |
| V | E♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through A♭ (Tonic) → E♭ (Dominant) → Fm (Submediant) → Cm (Mediant) → D♭ (Subdominant) → A♭ (Tonic) → D♭ (Subdominant) → E♭ (Dominant).
Pachelbel's Canon progression is an eight-chord descending pattern originally composed around 1680. Its elegant stepwise bass line creates a sense of inevitability and grace that has made it one of the most borrowed progressions in pop music. From wedding ceremonies to chart-topping hits, this extended cycle continues to captivate listeners.
Song Examples
- Canon in D — Johann Pachelbel
- Basket Case — Green Day
- Memories — Maroon 5