I–V–vi–IV–V in A♭ Major
Pattern: I – V – vi – IV – V
Chords: A♭ – E♭ – Fm – D♭ – E♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A♭ (details) | major | Tonic |
| V | E♭ (details) | major | Dominant |
| vi | Fm (details) | minor | Submediant |
| IV | D♭ (details) | major | Subdominant |
| V | E♭ (details) | major | Dominant |
Harmonic Analysis
This progression moves through A♭ (Tonic) → E♭ (Dominant) → Fm (Submediant) → D♭ (Subdominant) → E♭ (Dominant).
A Classical sentence structure that moves through a deceptive resolution before arriving at a half cadence on V. This open-ended phrase creates expectation for a consequent phrase and is common in sonata-form exposition themes.
Song Examples
- Symphony No. 6 (Pastoral) — Ludwig van Beethoven
- Piano Sonata No. 8 (Pathetique) — Ludwig van Beethoven