I–IV–ii–V–I in A♭ Major
Pattern: I – IV – ii – V – I
Chords: A♭ – D♭ – Bbm – E♭ – A♭
Chord Breakdown
| Numeral | Chord | Type | Function |
|---|---|---|---|
| I | A♭ (details) | major | Tonic |
| IV | D♭ (details) | major | Subdominant |
| ii | Bbm (details) | minor | Supertonic |
| V | E♭ (details) | major | Dominant |
| I | A♭ (details) | major | Tonic |
Harmonic Analysis
This progression moves through A♭ (Tonic) → D♭ (Subdominant) → Bbm (Supertonic) → E♭ (Dominant) → A♭ (Tonic).
A progression that approaches the dominant cadence via both subdominant chords (IV and ii), creating a strong pre-dominant preparation. This double subdominant approach is characteristic of Classical-period phrase endings.
Song Examples
- Sonata in A Major, K. 331 — Wolfgang Amadeus Mozart
- Waltz in A-flat Major, Op. 39 No. 15 — Johannes Brahms